Bjørn Melhus Movies

When her sibling Zara suffers a nervous breakdown, the introvert Eva is forced to take on Zara’s job as a Foley artist. She struggles to create...

Although photographer Horn has been back from Scotland for a while, he still has to think about his irritating and fleeting encounter with a stranger...

Toast, buttered or not, is an example of commodification of food. Symbolic of a society where time is money, the toaster allows for instant...

Against the backdrop of an unfathomable megalopolis, in a story that follows the associative qualities of a dream logic, the protagonists quote from...

“The End Time” was developed for the exhibition Spectral Afterlives at Sprengel Museum Hannover on occasion of the publication of...

In a post-apocalyptic world not dissimilar to the present, SUGAR, a humanoid robot that can feel, think and dance, is sent out to bring a human touch...

The film [dramatic music continues], which uses subtitles of audio descriptions from various war films, is a reflection on our current media...

An exorcist ritual in a hotel room at night falling on Which a spasm-ridden medium predicts "sudden destruction".

With her green bow in her hair, a naïve Dorothy from the Wizard of Oz embodies an aspect of the artist’s own personal context. She is...

Referencingthe death scene of Sol Roth, played by Edward G. Robinson, in the 1973 movie Soylent Green, and old man on a hospital bed moves through an...

In reference to the trailer of Psycho (USA 1960), narrated in German by Alfred Hitchcock himself, a gardener with a chainsaw guides us through the...

Doors of Reception is a collage of door sounds from various science fiction films, creating an abstract sound painting of opening and closing colour...

In the video installation “Again & Again” Melhus tells—not without humor—the story of a person engaged in an inner dialogue...

A short story about new bodies, the power of denial, and a state of no sunshine. Two infantile bodies float in a cyberspace ball, connected by two...